Story: A Detroit cop head to Beverly Hills to investigate the death of one of his buddies.
Detective: Axel Foley
Release Date: December 5, 1984
Writer: Danilo Back, Daniel Petrie, Jr.
Source: original screenplay
Detective as protagonist?
Alastair: Yes, there’s no doubt this is Axel’s story.
Lani: Yes, always clear from the start who the protagonist is, although the trouble doesn’t start until a little while in.
Murderer as antagonist?
Alastair: Yes, albeit by proxy.
Lani: Yes, although not the guy who actually pulled the trigger, it’s Victor Maitland who’s behind everything from the start.
Conflict created by mystery/murder?
Alastair: Yes, although this is an interesting case of a murder that builds into a larger mystery.
Lani: Yes; without the murder, Axel would have no interest in Maitland.
Fair play with all the clues given?
Alastair: It’s not that kind of mystery, I think, although the meaning of each clue — except perhaps the coffee — is transparent enough that we can keep up.
Lani: Not really; although we do see the clues, we don’t know what they might mean, and we’re not given the opportunity to play along the way a good mystery does.
Solved using deduction, not luck?
Alastair: Yes, although the problems aren’t necessarily approached in the smartest way.
Lani: Yes. Even if we don’t understand what’s going on, Axel does, and he puts it all together.
All threads pull together in the end?
Alastair: Yes, if a little too early. The mystery is done by the end of the second act, and then we get twenty-five minutes of shoot-out.
Alastair says: 4 Pops
Mystery: 3, Craft: 3, Suspense: 2, Romance: N/A, Comedy: 5
Lani says: 4 Pops
Mystery: 3, Craft: 4, Suspense: 2, Romance: n/a, Comedy: 5